We Hope To Get

We Hope To Get

These are films that we hope to play in the theatre, but that we have not yet officially booked.

Click here to view our calendar with all our most up-to-date showtimes. 
Click here to view upcoming features that have been booked.

Jojo Rabbit

Director: Taika Waititi

2019, 108 mins, PG-13

Cast: Roman Griffin Davis, Thomasin McKenzie, Taika Waititi, Scarlett Johansson

Writer-director Taika Waititi (Thor: Ragnarok, Hunt for the Wilderpeople), brings his signature style of humor and pathos to his latest film, Jojo Rabbit, a World War II satire that follows a lonely German boy (Roman Griffin Davis as JoJo) whose world view is turned upside down when he discovers his single mother (Scarlett Johansson) is hiding a young Jewish girl (Thomasin McKenzie) in their attic. Aided only by his idiotic imaginary friend, Adolf Hitler (Taika Waititi), Jojo must confront his blind nationalism.

Ford v Ferrari

Director: James Mangold

2019, 152 mins, PG-13

Cast: Matt Damon, Christian Bale, Jon Bernthal, Caitriona Balfe

Academy Award-winners Matt Damon and Christian Bale star in Ford v Ferrari, based on the remarkable true story of the visionary American car designer Carroll Shelby (Damon) and the fearless British-born driver Ken Miles (Bale), who together battled corporate interference, the laws of physics, and their own personal demons to build a revolutionary race car for Ford Motor Company and take on the dominating race cars of Enzo Ferrari at the 24 Hours of Le Mans in France in 1966.

Pain and Glory (Dolor y gloria)

Director: Pedro Almodóvar

2019, 112 mins, R

Cast: Antonio Banderas, Penelope Cruz

Pain and Glory tells of a series of reencounters experienced by Salvador Mallo, a film director in his physical decline. Some of them in the flesh, others remembered: his childhood in the 60s, when he emigrated with his parents to a village in Valencia in search of prosperity, the first desire, his first adult love in the Madrid of the 80s, the pain of the breakup of that love while it was still alive and intense, writing as the only therapy to forget the unforgettable, the early discovery of cinema, and the void, the infinite void that creates the incapacity to keep on making films. Pain and Glory talks about creation, about the difficulty of separating it from one’s own life and about the passions that give it meaning and hope. In recovering his past, Salvador finds the urgent need to recount it, and in that need he also finds his salvation.

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