OGT Virtual Cinema

OGT Virtual Cinema
While the Old Greenbelt Theatre is closed we will be offering curated virtual screenings and discussions to entertain, educate, and engage you while we're apart! Below are our offerings. Please check in here if you experience any technical difficulties.



ARCHIVE

RBG
(97 minutes PG) 2018 CC Betsy West, Julie Cohen, director
At the age of 85, U.S. Supreme Court Justice Ruth Bader Ginsburg has developed a lengthy legal legacy while becoming an unexpected pop culture icon. But the unique personal journey of her rise to the nation's highest court has been largely unknown, even to some of her biggest fans – until now. RBG explores Ginsburg's life and career.  From Betsy West and Julie Cohen, and co-produced by Storyville Films and CNN Films.
Saint Frances
(98 minutes NR) 2020 Alex Thompson, director
Flailing thirty-four-year-old Bridget (Kelly O'Sullivan) finally catches a break when she meets a nice guy and lands a much-needed job nannying six-year-old Frances (played by a scene-stealing Ramona Edith-Williams). But an unwanted pregnancy introduces an unexpected complication. To make matters worse, she clashes with the obstinate Frances and struggles to navigate a growing tension between Frances's moms. Film is available for online streaming. Rental of 72 hours available for $9.
Bacurau
(131 minutes NR) 2019 Brazil, France Subtitled Kleber Mendonça Filho & Juliano Dornelles, director
A few years from now... Bacurau, a small village in the Brazilian sertão, mourns the loss of its matriarch, Carmelita, who lived to be 94. Days later, its inhabitants (among them Sônia Braga) notice that their village has literally vanished from online maps and a UFO-shaped drone is seen flying overhead. There are forces that want to expel them from their homes, and soon, in a genre-bending twist, a band of armed mercenaries led by Udo Kier arrive in town picking off the inhabitants one by one. Film is available for online streaming. Rental of 72 hours available for $9. Purchase Screening Now ($12)
Sorry We Missed You
(102 minutes NR) 2020 Subtitled Ken Loach, director
Ricky and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self-employed delivery driver. It's hard work, and his wife's job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point. After you’ve entered your payment information, your rental period will start immediately and last for five days.
Slay the Dragon
(101 minutes PG-13) 2020 CC Barak Goodman, Chris Durrance, director
A secretive, high-tech gerrymandering initiative launched 10 years ago threatens to undermine our democracy. Slay the Dragon follows everyday people as they fight to make their votes matter. After you’ve entered your payment information, your rental period will start immediately and last for three days.
And Then We Danced
(113 minutes NR) 2020 Sweden/Georgia Subtitled Levan Akin, director
A passionate tale of love and liberation set amidst the ultraconservative confines of modern Georgian society, And Then We Danced follows Merab, a devoted dancer who has been training for years with his partner Mary for a spot in the National Georgian Ensemble. The arrival of another male dancer, Irakli—gifted with perfect form and equipped with a rebellious streak—throws Merab off balance, sparking both an intense rivalry and romantic desire that may cause him to risk his future in dance as well as his relationships with Mary and his family.
Best of CatVideoFest: Creature Comforts Edition
(40 minutes NR) 2020 Will Braden, curator, director
For the first time ever, CatVideoFest is available to screen virtually outside of theaters! Long time CatVideoFest curator extraordinaire, Will Braden, has crafted a 40-min "treat" of a reel that includes the very best videos from CVF history. CatVideoFest is a compilation reel of the latest and best cat videos culled from countless hours of unique submissions and sourced animations, music videos, and, of course, classic internet powerhouses.
Extra Ordinary
(93 minutes R) 2020 CC Mike Ahern, Enda Loughman, director
Rose, a sweet, lonely driving instructor in rural Ireland, is gifted with supernatural abilities. Rose has a love/hate relationship with her 'talents' and tries to ignore the constant spirit related requests from locals – to exorcise possessed rubbish bins or haunted gravel. But Christian Winter, a washed up, one-hit-wonder rock star, has made a pact with the devil for a return to greatness! He puts a spell on a local teenager – making her levitate. Her terrified father, Martin Martin, asks Rose to help save his daughter. Rose has to overcome the fear of her supernatural gift and work with Martin to save the girl, get the guy and be home in time for a light snack... maybe a yogurt or something.
Other Music
(83 minutes NR) 2019 Puloma Basu, Rob Hatch-Miller, director
For 20 years indie record store Other Music was an influential hub of music culture in NYC. Featuring Vampire Weekend, Animal Collective, Interpol and more, the film reminds us that the spirit of the much-loved destination will live on. Rent the film for $10, get 3 days to view the film online. 50% of the profits will go to Old Greenbelt Theatre!
The Booksellers
(99 minutes NR) 2020 CC D.W. Young, director
Antiquarian booksellers are part scholar, part detective and part businessperson, and their personalities and knowledge are as broad as the material they handle. They also play an underappreciated yet essential role in preserving history. The Booksellers takes viewers inside their small but fascinating world, populated by an assortment of obsessives, intellects, eccentrics and dreamers.
Life Itself
(120 minutes R) 2014 CC Steve James, director
Acclaimed director Steve James (Hoop Dreams) and executive producers Martin Scorsese (The Departed) and Steven Zaillian (Moneyball) present Life Itself, a documentary film that recounts the inspiring and entertaining life of world-renowned film critic and social commentator Roger Ebert—a story that is by turns personal, funny, painful, and transcendent. Based on his bestselling memoir of the same name, Life Itself, explores the legacy of Roger Ebert’s life, from his Pulitzer Prize-winning film criticism at the Chicago Sun-Times to becoming one of the most influential cultural voices in America.
Military Wives
(112 minutes NR) 2020 UK CC Peter Cattaneo, director
Military Wives centers on a group of women from different backgrounds whose partners are away serving in Afghanistan. Faced with their loved ones' absences, they come together to form the very first military wives choir, helping each other through some of life's most difficult moments, and quickly find themselves on an international stage. Peter Cattaneo (The Full Monty) directs Kristin Scott Thomas and Sharon Horgan in this feel-good crowd-pleaser inspired by true events.
Diana Kennedy: Nothing Fancy
(81 minutes NR) 2020 Elizabeth Carroll, director
Master chef, teacher and environmental activist Diana Kennedy is living proof that size has nothing to do with strength. Now in her 90s and barely five feet tall, she's a fierce jolt of energy that has become one of the most celebrated culinary legends of Mexican cuisine. Blending incredible archival footage from her many television appearances and unprecedented access to her ecologically sustainable home, Diana Kennedy: Nothing Fancy is a charming homage to a culinary trailblazer and a true inspiration.
Blackfish
(80 minutes PG-13) 2013 CC Gabriela Cowperthwaite, director
Many of us have experienced the excitement and awe of watching 8,000 pound orcas, or “killer whales,” soar out of the water and fly through the air at sea parks, as if in perfect harmony with their trainers. Yet this mighty black and white mammal has many sides—a majestic, friendly giant, seemingly eager to take trainers for a ride around the pool, yet shockingly—and unpredictably—able to turn on them at a moment’s notice. BLACKFISH unravels the complexities of this dichotomy, employing the story of notorious performing whale Tilikum, who—unlike any orca in the wild—has taken the lives of several people while in captivity. So what went wrong?
I Am Not Your Negro
(93 minutes PG-13) 2017 CC Raoul Peck, director
Master filmmaker Raoul Peck envisions the book James Baldwin never finished. The result is a radical, up-to-the-minute examination of race in America, using Baldwin’s original words and flood of rich archival material. I Am Not Your Negro is a journey into black history that connects the past of the Civil Rights movement to the present of #BlackLivesMatter. It is a film that questions black representation in Hollywood and beyond. And, ultimately, by confronting the deeper connections between the lives and assassination of these three leaders, Baldwin and Peck have produced a work that challenges the very definition of what America stands for.
Shirley
(107 minutes R) 2020 Josephine Decker, director
Renowned horror writer Shirley Jackson is on the precipice of writing her masterpiece when the arrival of newlyweds upends her meticulous routine and heightens tensions in her already tempestuous relationship with her philandering husband. The middle-aged couple, prone to ruthless barbs and copious afternoon cocktails, begins to toy mercilessly with the naïve young couple at their door.
Up From The Streets
(104 minutes NR) 2019 Michael Murphy, director
New Orleans has a distinct history as a result of its political and social history. There is a thread that runs through the city that can be heard from the drumming at Congo Square in the 1700’s through to today’s vibrant music scene. The music of this city is a powerful form of expression. It was a vehicle to communicate a desire for freedom, express frustration of the injustices of segregation and Jim Crow laws, a healing force that helped bring the city back from the devastation of Hurricane Katrina, and is still a vital form of expression against ongoing cultural & racial biases.
The Killing Floor
(118 minutes NR) 1984 CC not available Bill Duke, director
During World War I, impoverished African-American father Frank Custer (Damien Leake) leaves his Southern family and heads to Chicago in search of work. After landing a job at one of the city's many slaughterhouses, he gets caught up in the heated debate over organized labor. Before long he emerges as a hypnotic leader, urging his peers to join the union, a move that puts him at odds with his best friend, Thomas (Ernest Rayford), who starts to question Frank's motivations for backing the union. The Killing Floor premiered on PBS' American Playhouse series in 1984 to rave reviews. In 1985 the film was invited to Cannes and won the Sundance Film Festival Special Jury Award. This is a new release of the 4K restoration. Preserved by UCLA Film & Television Archive, laboratory services and DCP by UCLA Film & Television Archive Digital Media Lab.
Ella Fitzgerald: Just One Of Those Things
(90 minutes NR) 2020 Leslie Woodhead, director
Tracing the story of Ella Fitzgerald’s life, this documentary film explores how her music became a soundtrack for a tumultuous century.  From a 1934 talent contest at the Apollo Theatre in Harlem, the film follows Ella’s extraordinary journey across five decades as she reflects the passions and troubles of the times in her music and life. Moving beyond conventional biopic, the film uses images and music to evoke the feel of those times bringing to life the history of Ella’s unique career.     Featuring interviews from Smokey Robinson, Tony Bennett, Jamie Cullum, Norma Miller and Ella’s adopted son Ray Brown Jr.
Flick of the Week: HAMILTON
Join us in a digital space for our "Flick of the Week" designed to keep you connected to film and to the OGT community while we self-isolate and practice social distancing. Every week while we are closed, we will have a new recommendation to share with you, along with a Sunday Zoom conversation. This week, on Sunday, June 5 at 2 pm, we feature Hamilton (2020). Please note, signing up for the Flick of the Week discussion does not grant access to the film. Registration gives you access to the film discussion. We list where the film can be watched prior to the discussion, which may require a subscription or a rental fee.
John Lewis: Good Trouble
(96 minutes PG) 2020 CC Dawn Porter, director
JOHN LEWIS: GOOD TROUBLE, directed by acclaimed filmmaker Dawn Porter (TRAPPED, GIDEON’S ARMY), chronicles the life and career of the legendary civil rights activist and Democratic Representative from Georgia. Using interviews and rare archival footage, JOHN LEWIS: GOOD TROUBLE chronicles John Robert Lewis’ 60-plus years of social activism and legislative action on civil rights, voting rights, gun control, health-care reform and immigration. Using present-day interviews with Lewis, now 80 years old, Porter explores his childhood experiences, his inspiring family and his fateful meeting with Dr. Martin Luther King Jr. in 1957. In addition to her interviews with Lewis and his family, Porter’s primarily cinéma verité film also includes interviews with political leaders, Congressional colleagues, and other people who figure prominently in his life.
Feels Good Man
(92 minutes NR) 2020 Arthur Jones, director
Winner of the 2020 Sundance Film Festival Emerging Filmmaker Award, the profoundly thought-provoking documentary FEELS GOOD MAN about the Internet's appropriation of artist Matt Furie's originally kind character Pepe the Frog will premiere August 28-29 with four exclusive online screenings, each accompanied by a live stream Q&A for audience members to submit questions. Tickets go on sale August 21st and will be limited to just 250 tickets per showtime.

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