(115 min. G) 1957 USA Leo McCarey, director
A man and a woman have a romance while on a cruise from Europe to New York. Despite being engaged to other people, both agree to reunite at the top of the Empire State Building in six months. However, an unfortunate accident keeps her from the reunion, and he fears that she has married or does not love him anymore.
(90 min. G) 1931 uSA Charles Chaplin, director
A hapless but resilient tramp (Charlie Chaplin) falls in love with a blind flower girl (Virginia Cherrill) on the tough city streets. Upon learning that she and her grandmother are to be evicted from their home, the tramp undertakes a series of attempts to provide them with the money they need, all of which end in humiliating failure. But after a drunken millionaire (Harry Myers) lavishly rewards him for saving his life, the tramp can change the flower girl's life forever.
(84 min NR) 1934 John Cromwell, director
Based on a novel by W. Somerset Maugham, this drama follows Philip Carey (Leslie Howard), an English medical student who abandons his artistic aspirations when he falls for Mildred Rogers (Bette Davis), a callous and manipulative waitress. Despite Mildred's abuse, Philip becomes completely obsessed with her as she walks into and out of his life. Whenever it seems that Philip is ready to move on, Mildred reappears, in a seemingly inescapable vicious cycle.
(133 min NR) 1939 USA George Cukor, director
Mary Haines (Norma Shearer) can't believe her husband's having an affair with salesgirl Crystal (Joan Crawford). But when Sylvia (Rosalind Russell) and Edith (Phyllis Povah) deliver the gossip firsthand, Mary heads to Reno for a divorce. En route she meets Countess de Lave (Mary Boland) and Miriam (Paulette Goddard), who coincidentally is having an affair with Sylvia's husband. Once in Reno, the Countess finds another beau, Sylvia shows up for a divorce and Mary plots to win back her man.
(120 min PG) 1956 Alfred Hitchcock, director
Presented by David R. Cross, attorney. Dr. Ben McKenna (James Stewart) is on vacation with his wife (Doris Day) and son in Morocco when a chance encounter with a stranger sets their trip, and their lives, on a drastically different course. The stranger, killed in front of the family in the marketplace, reveals an assassination plot to the Americans. The couple's son is abducted in order to ensure the plot is kept secret, and suddenly the mother and father, with no help from the police, must figure out a way to get their child back.
(83 minutes NR) 1932 Ernst Lubitsch, director
Thief Gaston Monescu (Herbert Marshall) and pickpocket Lily (Miriam Hopkins) are partners in crime and love. Working for perfume company executive Mariette Colet (Kay Francis), the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
(94 minutes NR) 1941 Preston Sturges, director
It's no accident when wealthy Charles falls for Jean. Jean is a con artist with her sights set on Charles' fortune. Matters complicate when Jean starts falling for her mark. When Charles suspects Jean is a gold digger, he dumps her. Jean, fixated on revenge and still pining for the millionaire, devises a plan to get back in Charles' life. With love and payback on her mind, she re-introduces herself to Charles, this time as an aristocrat named Lady Eve Sidwich.
(103 minutes NR) 1938 William Wyler, director
In one of her most renowned roles, Bette Davis portrays Julie Marsden, a spoiled Southern belle who risks losing her suitor with her impetuous behavior. Engaged to successful banker Preston Dillard (Henry Fonda), Julie pushes him away with her arrogant and contrary ways, leading to a scandalous scene at a major social event and his subsequent departure. When Preston eventually returns and Julie attempts to win him back, she discovers that it may be too late.
(118 minutes NR) 1944 Frank Capra, director
Arsenic and Old Lace is director Frank Capra's spin on the classic Joseph Kesselring stage comedy, which concerns the sweet old Brewster sisters (Josephine Hull, Jean Adair), beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces--by serving said bachelors elderberry wine spiked with arsenic.
(125 minutes NR) 1960 Billy Wilder, director
Jack Lemmon plays C.C. Baxter, a go-getting office worker who loans his tiny apartment to his philandering superiors for their romantic trysts. He runs into trouble when he finds himself sharing a girlfriend (Shirley MacLaine) with his callous boss (Fred MacMurray).
(133 minutes NR) 1948 Howard Hawks, director
Headstrong Thomas Dunson (John Wayne) starts a thriving Texas cattle ranch with the help of his faithful trail hand, Groot (Walter Brennan), and his protégé, Matt Garth (Montgomery Clift), an orphan Dunson took under his wing when Matt was a boy. In need of money following the Civil War, Dunson and Matt lead a cattle drive to Missouri, where they will get a better price than locally, but the crotchety older man and his willful young partner begin to butt heads on the exhausting journey.
(91 minutes NR) 1934 Howard Hawks, director
Generously sponsored by Washington DC Chapter, National Railway Historical Society. When down-on-his-luck Broadway impresario Oscar Jaffe (John Barrymore) meets his discovery and former flame, Lily Garland (Carole Lombard), on the glamorous 20th Century Limited train between Chicago and New York, he uses every scheme at his disposal to win the movie star back both professionally and romantically. However, Lily, along with her new beau, George (Ralph Forbes), and Jaffe's rival producer, Max Jacobs (Charles Levison), who hired Lily to star in his latest play, have other plans.
(87 minutes NR) 1935 Alfred Hitchcock, director
A man in London tries to help a counterespionage agent. But when the agent is killed and he stands accused, he must go on the run to both save himself and also stop a spy ring trying to steal top secret information.
(99 minutes NR) 1935 Mark Sandrich, director
One of the best of the Fred Astaire-Ginger Rogers musicals, Top Hat centers on a typical mistaken-identity plot, with wealthy Dale Tremont (Rogers), on holiday in London and Venice, assuming that American entertainer Jerry Travers (Astaire) is the husband of her friend Madge (Helen Broderick)—who's actually the wife of Jerry's business manager Horace Hardwick (Edward Everett Horton). Complicating matters is Dale's jealous suitor Beddini (Erik Rhodes), whose motto is "For the woman the kiss — for the man the sword." Beddini is disposed of by some last-minute chicanery on the part of Jerry's faithful valet Bates (Eric Blore), paving the way for the happy ending everyone knew was coming from the opening scene.